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	<title>Elisabeth Brun</title>
	<link>https://elisabethbrun.com</link>
	<description>Elisabeth Brun</description>
	<pubDate>Mon, 02 Dec 2024 08:51:21 +0000</pubDate>
	<generator>https://elisabethbrun.com</generator>
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		<title>Overflate / Underflate -b</title>
				
		<link>https://elisabethbrun.com/Overflate-Underflate-b</link>

		<pubDate>Mon, 02 Dec 2024 08:51:21 +0000</pubDate>

		<dc:creator>Elisabeth Brun</dc:creator>

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		<description> OVERFLATE/UNDERFLATE (2021)
Fileten. Nyksund (NO) 03.09 - 05.12.2021 (ENG. below)To-kanal installasjonStereoHD video15 og 20 minutter.
En stedsspesifikk installasjon som, gjennom lyd og bilde, utforsker havets form og betydning. I det tidligere fiskeværet Nyksund, Nordland, i et nedlagt fiskeindustribygg, viste installasjonen levende bilder av havets overflate og «underflate» – en vannhinne og en overgangssone mellom det synlige og det umiddelbart usynlige.&#38;nbsp;Installasjonen tar utgangspunkt i en situasjon fra lokalt sjarkfiske, sett både over og under havflaten. Veggens tekstur blir til bildets overflate, mens lyden som høres, er havets klang, påvirket av vær og vind. Gjennom meteorologiske data påvirkes både lyd og bilde, og installasjonen lever dermed i samspill med Nyksunds skiftende vær. &#38;nbsp;
Verket består av Elisabeth Bruns levende bilder og Rune Mikkelborgs lydarbeid. Prosjektet er støttet av KORO - Kunst i offentlige rom og er en samproduksjon med Nyksundkooperativet AS. Lyd: Rune MikkelborgFoto: Elisabeth BrunProgrammering: Pål Brønlund***OVERFLATE/UNDERFLATE (Sur-face / Sous-face) is a site-specific audiovisual installation, exhibited in the old industry building “Fileten” in the former fisher village of Nyksund (NO) 03.09-05.12.2021. The project explores the ocean´s form and meaning through sound and moving image, and uses weather-data as to become a “living part” of the place itself. 
In the former fishing village of Nyksund, Nordland, within an abandoned fishing industry building, the installation presented moving images of the sea's surface and "subsurface" – a water membrane and a transitional zone between the visible and the immediately invisible. 
The installation draws from a local small-boat fishing scenario, observed both above and below the water's surface. The texture of the wall becomes the image's surface, while the sound heard is the sea's resonance, influenced by weather and wind. 
Through meteorological data, both sound and image are affected, allowing the installation to interact with Nyksund's ever-changing weather.The project was co-produced with sound-artist Rune Mikkelborg + the AiR Nyksund Kooperativet, and funded by Public Art Norway / KORO. two channel video-installation 4k video, stereo sound duration 15, 20 minsvideo: Elisabeth Brun sound: Rune Mikkelborg programming: Pål Brønlundfunded by Public Art Norway (KORO)
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		<title>House of Broken Utopias</title>
				
		<link>https://elisabethbrun.com/House-of-Broken-Utopias</link>

		<pubDate>Wed, 27 Nov 2024 21:29:35 +0000</pubDate>

		<dc:creator>Elisabeth Brun</dc:creator>

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	HOUSE OF BROKEN UTOPIAS (2024)
	
 
Variable dimensjoner. VR + Archival material. 
Lofoten International Art Festival LIAF, 20.09.-20.10.2024

Curated by Kjersti Solbakken

	

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NODES Collective (Elisabeth Brun, Ivar Kjellmo, Gusztáv Hámos, Katja Pratschke, Nicole C. B. Pedersen, Rune Mikkelborg)
The House of Broken Utopias is an evolving, immersive and interactive VR experience and archive exploring the function and failures of Utopias. Utopia here refers to desires and aspirations for a transformed existence − ethical signals manifested in artistic, societal, and cultural practices. How can artists and scholars receive and transmit these signals for future gain?
The work centers on utopian visions embedded in Nyksund, Nordland, a former fishing village abandoned in the 1960s and 70s. Over time, locals and visitors envisioned varied futures for Nyksund, from nature reclamation to amusement hubs. "The International Nyksund Project" (1984-92) also emerged, driven by eco-political ideas from central Europe. Supported by the municipality of Øksnes and led by students from Technische Universität West-Berlin, they repaired houses and implemented sustainable solutions like windmills and solar-cell showers. Over 3000 young people from West Berlin and Europe participated. Their original and eventually “broken” plan, was to build an international "youth village" giving young people agency over their futures. “The International Nyksund Project” was central to Nyksund's survival, giving it an international flair due to the place´s concentration of utopian desires. HOUSE OF BROKEN UTOPIAS includes material from the Nyksund Berlin Artistic Archive (NBAA), preserving and reactivating the project's legacy. 
The VR experience explores layers of utopian desires embedded in Fryseriet − a modernist green cube for fish processing built in 1950. By the 1970s, it stood empty, mirroring Nyksund’s desolation. Fryseriet later offered a space for artists, housing exhibitions, concerts, and experiments. Today, it contains layers of signals pointing to diverse desires and activities envisioning various possible futures. The NODES Collective explores these signals by digitizing Fryseriet's structure for an immersive VR experience, allowing viewers to explore its rich material history.
Courtesy of the NODES Collective.Supported by: The Nordic Culture Fund, The Goethe Institute Norway, The Berlin Senate for Culture and Europe, Culture Moves Europe and the Goethe Institute.&#38;nbsp; 
The NODES Collective is an international artist group consisting of artists and researchers from Norway, Germany, Hungary and Denmark. The group emerged from the project «Nyksund Reloaded», which was initiated by the Oslo-based artist, filmmaker and researcher Elisabeth Brun and the Berlin-based media-artist and artistic researcher Katja Pratschke in 2022. Brun originates from a village close to Nyksund, Nordland. Pratschke lived as a young woman in 1980s West-Berlin. The NODES collective consists also of media artist and artistic researcher Gusztáv Hámos (Berlin/Budapest), Copenhagen-based sound artist Nicole B. Pedersen, Nyksund-based sound artist Rune Mikkelborg, and the Oslo-based 3D-artist Ivar Kjellmo. Kjellmo was also a participant in the “International Nyksund Project” in the late 1980s. Nyksund Reloaded as a project consist of the digital model of Fryseriet, as well as the Nyksund Berlin Artistic Archive which is in development.Disclaimer: This work was produced with the financial assistance of the European Union. The views expressed herein can in no way be taken to reflect the official opinion of the European Union.Image credits: Kjell Ove Storvik / LIAF, Elisabeth Brun
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		<title>Nyksund Reloaded</title>
				
		<link>https://elisabethbrun.com/Nyksund-Reloaded</link>

		<pubDate>Wed, 06 Mar 2024 20:49:40 +0000</pubDate>

		<dc:creator>Elisabeth Brun</dc:creator>

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NYKSUND RELOADED
How can we adress future challenges through materials of the past?

"Nyksund Reloaded" is an international artistic research initiative that seeks to preserve and reactivate the legacy of "The International Nyksund Project" (INP) through media art and materials of the archive. The INP was an innovative socio-pedagogical and environmental programme that took place in Nyksund, a former fishing village in Northern Norway, between 1984 and 1992.

The INP was a West-Berlin initiative that aimed to create an "international youth city" where young people were given agency over their own futures. Nyksund, once a thriving fishing village, was abandoned in the 1970s due to centralization policies and technological advancements in the fishing industry. As the village fell into decay, students and professors from the Technische Universität (TU) in West Berlin, with approval from the local community, moved to Nyksund to realize their vision.

The project was groundbreaking for its time, developing innovative technological solutions for eco-living, such as windmills, biogas generators, and solar panels for Arctic conditions. It also pioneered new practice-led youth pedagogies and peace work through dialogue. The participants started from utter scratch as there were no infrastructure left at the site. Houses were repaired, and a community was established - by mere labor and grassroot organization. A Foundation called Quabs, an association of social pedagogues, enaged in including the local community. 
The overarching vision was to establish an "International Youth City"—an eco-utopia focused on sustainable living. Over 3,000 young people from West Berlin and across Europe participated in the project during its active years. In 1988, the International Nyksund Project was awarded the EU's Environmental Prize in the "Cultural Heritage" category, recognizing the project's innovative approach that integrated international understanding, environmental protection, cultural heritage preservation, and job security. The jury praised the project's "consistent and persistent pursuit of its goals" and its "rare combination of creativity and perseverance."*

However, by the early 1990s, the project faced decline due to various challenges. Despite its significant role in Nyksund's survival and the development of a unique space that attracted both local and international visitors, the INP was largely forgotten. Its legacy remained scattered in the personal collections of former participants, with no formal archive established—until now.

"Nyksund Reloaded" aims to revive the INPs legacy for future learning in our current era of ecological and political crises. The project involves gathering and systematizing a digital, searchable “artistic archive” of documents and images from former participants and others involved in the INP. This archive will serve as the foundation for new artistic and research-based works that explore and reinterpret the materials. Through media art, the project is developing innovative ways to immerse audiences in Nyksund and the INP's legacy, using technologies like Virtual Reality (VR) and Artificial Intelligence (AI).

As part of its efforts, "Nyksund Reloaded" is using photogrammetry to digitize a former fish factory in Nyksund, transforming it into a digital space for exhibitions and learning. The project is also building a global network of similar initiatives, where art plays a pivotal role in revitalizing rural communities and facilitating the exchange of knowledge and experiences.

Thus the Nyksund Reloaded Project consists of three core components: THE ARTISTIC ARCHIVE, THE ARENA, and the NETWORK. More details will be available soon through the links below.

Led by Elisabeth Brun and Katja Pratschke, "Nyksund Reloaded" is developed by the NODES Collective, which emerged from this project. The collective includes key contributors such as Elisabeth Brun, Katja Pratschke, Gusztáv Hámos, Nicole B. Pedersen, Ivar Kjellmo, and Rune Mikkelborg. The project's development is closely tied to the contributions and insights of former INP participants, including Grethe Andreassen, Wolfgang Eschenhorn, Burkhard Herrmann, Anne Beate Hovind, and Harald Sommer, among others.The archive is developed in collaboration with the think tank Urbanum, represented by Gezá Kulszar and Laura Luga.
Other collaborators:ZKU - Zentrum für Kunst und Urbanistik
Kultursamarbeidet Vesterålen / Nordland Academy of Art and Science / AiR Vesterålen
Technische Universität, department for Architecture and Fine Art by Prof. dr. Stephanie Bürkler
Henrik Steffens Professorship, Humboldt University Zu Berlin, with Prof. dr. Dagny Stuedahl
Westerdahls Department for Film and Media, Kristiania University College


Image credits: Harald Sommer, Carsten Lüring, Katja Pratschke, Elisabeth Brun, Ivar Kjellmo.
*Jury-statement 1988, Europäischer Umweltpreis, Bonn.

 THE ARTISTIC ARCHIVE 

THE ARENA 

THE NETWORKNyksund Reloaded is supported by:

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&#60;img width="12236" height="2172" width_o="12236" height_o="2172" data-src="https://freight.cargo.site/t/original/i/9cc50468b9354e61af0c5b273a862ce48a2a3943a591e72e203980d19d4977b8/image.png" data-mid="216159241" border="0"  src="https://freight.cargo.site/w/1000/i/9cc50468b9354e61af0c5b273a862ce48a2a3943a591e72e203980d19d4977b8/image.png" /&#62;


Events:
Exhibition, House of Broken Utopias, interactive and immersive artwork by NODES Collective, Lofoten International Art Festival (LIAF), 20.09-20.10.2024Digital Vandring. Walk-through of Fryseriet as a digital space and presentation of Nyksund Reloaded. Fortellerfestivalen. Nyksund. 07.09.- 08.09.2024Experimental essay, “Utopian Signals and an-Archival Impulses: transmitting the 1980´s eco-Utopia of Nyksund”, in development with Metode, Vol. 3: “Currents - Regenerating pasts for the not-yet.” ROM for kunst og arkitektur. First workshop 12.06.2024. Second workshop 23-24.09.2024Invited talk and workshop, “Re-activating a 1980s Utopia&#38;nbsp; through Collaborative Media Art.”&#38;nbsp; Henrik Steffens Masterclass: Creativity and Collaboration, Humboldt University zu Berlin, 06.06.-08.06. 2024Paper / demo of work in progress AR@K symposium: The Artist, the Ghost and the Machine, Kristiania University College, Oslo. 19.03.2024Invited talk, Art in the Village, Art in the Landscape Symposium, Sophia University, Tokyo. Online. 07.12.2023Workshop Nyksund, Northern Norway, Nyksund Reloaded. Founding of the NODES Collective. 02.08 -21.08.2023
Residency for Elisabeth Brun, Norwegian Embassy in Berlin, with Nyksund Reloaded.26.06-03.07.2023




</description>
		
	</item>
		
		
	<item>
		<title>Projects</title>
				
		<link>https://elisabethbrun.com/Projects-1</link>

		<pubDate>Wed, 06 Mar 2024 20:27:39 +0000</pubDate>

		<dc:creator>Elisabeth Brun</dc:creator>

		<guid isPermaLink="true">https://elisabethbrun.com/Projects-1</guid>

		<description>
&#60;img width="2878" height="1616" width_o="2878" height_o="1616" data-src="https://freight.cargo.site/t/original/i/d1f872dde99fcce2b29b9f7b3a87b610c2073d36175bd1300088d1fd85a590c8/Screenshot-2023-03-03-at-20.35.27.png" data-mid="206199944" border="0" alt="MOVING IMAGE MOVING EARTH (MIME) (in pilot phase)" data-caption="MOVING IMAGE MOVING EARTH (MIME) (in pilot phase)" src="https://freight.cargo.site/w/1000/i/d1f872dde99fcce2b29b9f7b3a87b610c2073d36175bd1300088d1fd85a590c8/Screenshot-2023-03-03-at-20.35.27.png" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/c2ceedba40b7f2fb83871a68aba0da4c5e2ccb5b666836740843e6d1c3e86587/IMG_0289.jpg" data-mid="245377838" border="0" alt="NYKSUND RELOADED (2022-ongoing)" data-caption="NYKSUND RELOADED (2022-ongoing)" src="https://freight.cargo.site/w/1000/i/c2ceedba40b7f2fb83871a68aba0da4c5e2ccb5b666836740843e6d1c3e86587/IMG_0289.jpg" /&#62;


	
&#60;img width="1921" height="1081" width_o="1921" height_o="1081" data-src="https://freight.cargo.site/t/original/i/29760d0cdef10b85c9e23b1724e260088e741c0956eb74039da67ac70455589e/2021-02-04-newentanglements2022-short-hd.jpg" data-mid="206200010" border="0" alt="NEW ENTANGLEMENTS - Philosophy, Aesthetics and Artistic Research in Film, an online symposium + publication (2022)" data-caption="NEW ENTANGLEMENTS - Philosophy, Aesthetics and Artistic Research in Film, an online symposium + publication (2022)" src="https://freight.cargo.site/w/1000/i/29760d0cdef10b85c9e23b1724e260088e741c0956eb74039da67ac70455589e/2021-02-04-newentanglements2022-short-hd.jpg" /&#62;
&#60;img width="1179" height="659" width_o="1179" height_o="659" data-src="https://freight.cargo.site/t/original/i/acb65888b17cd8fad62fc9f363e9423ca15cf35bedb8e4a26236a27fe9de6da9/Screenshot-2021-08-13-at-14.05.49.png" data-mid="206199967" border="0" alt="MOVING IMAGE TOPOGRAPHY (2020 - ongoing)" data-caption="MOVING IMAGE TOPOGRAPHY (2020 - ongoing)" src="https://freight.cargo.site/w/1000/i/acb65888b17cd8fad62fc9f363e9423ca15cf35bedb8e4a26236a27fe9de6da9/Screenshot-2021-08-13-at-14.05.49.png" /&#62;
&#38;nbsp; &#38;nbsp; &#38;nbsp;
Nyksund Reloaded Project Modules:

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/847954aef053c9996ac5d213695a53f0e608496ed61c78b2942e8f3ff4e98d6b/IMG_0165-2.JPEG" data-mid="218961706" border="0" alt="THE NYKSUND-BERLIN ARTISTIC ARCHIVE NBAA" data-caption="THE NYKSUND-BERLIN ARTISTIC ARCHIVE NBAA" src="https://freight.cargo.site/w/1000/i/847954aef053c9996ac5d213695a53f0e608496ed61c78b2942e8f3ff4e98d6b/IMG_0165-2.JPEG" /&#62;
&#60;img width="3000" height="1179" width_o="3000" height_o="1179" data-src="https://freight.cargo.site/t/original/i/f8b0df71f4e230d5763e146d771debaa95310d36a335d4dd123c7dbc2edd3228/Fryseriet_1.jpg" data-mid="218957281" border="0" alt="FRYSERIET / THE FREEZER - work in progress 3D model and experimental arena for media-art, interactivity and learning." data-caption="FRYSERIET / THE FREEZER - work in progress 3D model and experimental arena for media-art, interactivity and learning." src="https://freight.cargo.site/w/1000/i/f8b0df71f4e230d5763e146d771debaa95310d36a335d4dd123c7dbc2edd3228/Fryseriet_1.jpg" /&#62;


	
	
</description>
		
	</item>
		
		
	<item>
		<title>Stubborn Mountains</title>
				
		<link>https://elisabethbrun.com/Stubborn-Mountains</link>

		<pubDate>Tue, 28 Nov 2023 07:15:09 +0000</pubDate>

		<dc:creator>Elisabeth Brun</dc:creator>

		<guid isPermaLink="true">https://elisabethbrun.com/Stubborn-Mountains</guid>

		<description>
&#60;img width="2599" height="1890" width_o="2599" height_o="1890" data-src="https://freight.cargo.site/t/original/i/037e6aaf9e916b7c9d96e132d648eaa1f5e15a8ca9d8534a09cd570ceb773b0a/Brun2_stubborn-mountains_Page_4.png" data-mid="198027153" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/037e6aaf9e916b7c9d96e132d648eaa1f5e15a8ca9d8534a09cd570ceb773b0a/Brun2_stubborn-mountains_Page_4.png" /&#62;&#60;img width="3093" height="2249" width_o="3093" height_o="2249" data-src="https://freight.cargo.site/t/original/i/614dfb1a16c923b854d1b31b653b9ddc48d17cedc3d776b91260883aa3295124/Brun2_stubborn-mountains_Page_1.png" data-mid="198027150" border="0"  src="https://freight.cargo.site/w/1000/i/614dfb1a16c923b854d1b31b653b9ddc48d17cedc3d776b91260883aa3295124/Brun2_stubborn-mountains_Page_1.png" /&#62;&#60;img width="2599" height="1890" width_o="2599" height_o="1890" data-src="https://freight.cargo.site/t/original/i/b4cc6fea054dba93475af37e684b02e73929cae2bb305ea15d072eb465072f20/Brun2_stubborn-mountains_Page_2.png" data-mid="198027151" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b4cc6fea054dba93475af37e684b02e73929cae2bb305ea15d072eb465072f20/Brun2_stubborn-mountains_Page_2.png" /&#62;&#60;img width="5418" height="3941" width_o="5418" height_o="3941" data-src="https://freight.cargo.site/t/original/i/72be47ebcaef8706b215c06886eaa2f9a65c3a88b446ae156050d309986ef9f3/Brun2_stubborn-mountains_Page_3.png" data-mid="198027152" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/72be47ebcaef8706b215c06886eaa2f9a65c3a88b446ae156050d309986ef9f3/Brun2_stubborn-mountains_Page_3.png" /&#62;
Buy the book “Eigensinnige Orte / Stubborn Places” here</description>
		
	</item>
		
		
	<item>
		<title>Disappear / Appear</title>
				
		<link>https://elisabethbrun.com/Disappear-Appear</link>

		<pubDate>Wed, 22 Nov 2023 18:25:00 +0000</pubDate>

		<dc:creator>Elisabeth Brun</dc:creator>

		<guid isPermaLink="true">https://elisabethbrun.com/Disappear-Appear</guid>

		<description>
&#60;img width="4096" height="4096" width_o="4096" height_o="4096" data-src="https://freight.cargo.site/t/original/i/c2c55268419e804bbaf3bb1a3a78fb0ca2ab9eecc43e1c61af556b68315dddaa/05.JPEG" data-mid="197615347" border="0"  src="https://freight.cargo.site/w/1000/i/c2c55268419e804bbaf3bb1a3a78fb0ca2ab9eecc43e1c61af556b68315dddaa/05.JPEG" /&#62;
&#60;img width="4096" height="4096" width_o="4096" height_o="4096" data-src="https://freight.cargo.site/t/original/i/a5d7e7dc75df425ca3401e4747e7a7017b0f771f844cb3c75e1d1eba059355ef/01a.JPEG" data-mid="197615772" border="0"  src="https://freight.cargo.site/w/1000/i/a5d7e7dc75df425ca3401e4747e7a7017b0f771f844cb3c75e1d1eba059355ef/01a.JPEG" /&#62;
&#60;img width="4096" height="4096" width_o="4096" height_o="4096" data-src="https://freight.cargo.site/t/original/i/f83265b3c703fbaafa0f4f9e2289733642b7bc28e29f4c715c1e191c58bdad44/_MG_9370.jpeg" data-mid="197615345" border="0"  src="https://freight.cargo.site/w/1000/i/f83265b3c703fbaafa0f4f9e2289733642b7bc28e29f4c715c1e191c58bdad44/_MG_9370.jpeg" /&#62;




Disappear, Appear, text/score, vinyl on window (2023) part of the “Scores from Gröndal / Scores for Malmö” exhibition.
Of Public Interest (OPI) Lab at SPARK. 2023/10/20 - 2023/11/19

&#60;img width="1180" height="1180" width_o="1180" height_o="1180" data-src="https://freight.cargo.site/t/original/i/a6fc017af7a91950bc3706c118a06ae894754c3d0950a433d74be340e81bbbaf/OPI_lab_logo.png" data-mid="197615369" border="0" data-scale="23" src="https://freight.cargo.site/w/1000/i/a6fc017af7a91950bc3706c118a06ae894754c3d0950a433d74be340e81bbbaf/OPI_lab_logo.png" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/14f56dbc999cad5bf74bc63432e70b7505761869b1b683853b3b937aa524b8c1/KKH.png" data-mid="197615371" border="0" data-scale="25" src="https://freight.cargo.site/w/300/i/14f56dbc999cad5bf74bc63432e70b7505761869b1b683853b3b937aa524b8c1/KKH.png" /&#62;Image credit: Jonas Dahlberg</description>
		
	</item>
		
		
	<item>
		<title>Fryseriet</title>
				
		<link>https://elisabethbrun.com/Fryseriet</link>

		<pubDate>Wed, 22 Nov 2023 14:37:27 +0000</pubDate>

		<dc:creator>Elisabeth Brun</dc:creator>

		<guid isPermaLink="true">https://elisabethbrun.com/Fryseriet</guid>

		<description>
&#60;img width="1701" height="882" width_o="1701" height_o="882" data-src="https://freight.cargo.site/t/original/i/9c9617f861af8cfbeb890ddabef08322cd419476dffcc193dbf7504e8d68427f/Fryseriet_ouside_PointCloud.jpg" data-mid="197597853" border="0" alt=" " data-caption=" " src="https://freight.cargo.site/w/1000/i/9c9617f861af8cfbeb890ddabef08322cd419476dffcc193dbf7504e8d68427f/Fryseriet_ouside_PointCloud.jpg" /&#62;
&#60;img width="1701" height="882" width_o="1701" height_o="882" data-src="https://freight.cargo.site/t/original/i/22e285a0ecd12118944f83afbdd4ad2bf62a94be5562e20d67ca37ddedd1039e/Fryseriet_ouside_Geometry.jpg" data-mid="197597852" border="0"  src="https://freight.cargo.site/w/1000/i/22e285a0ecd12118944f83afbdd4ad2bf62a94be5562e20d67ca37ddedd1039e/Fryseriet_ouside_Geometry.jpg" /&#62;
&#60;img width="1701" height="882" width_o="1701" height_o="882" data-src="https://freight.cargo.site/t/original/i/ae7775feef01215fc2c6513bcf18f6a4961e3b04e8a3a5f85c33295b7cd71e97/Fryseriet_ouside_Cameras_Geometry.jpg" data-mid="197597850" border="0"  src="https://freight.cargo.site/w/1000/i/ae7775feef01215fc2c6513bcf18f6a4961e3b04e8a3a5f85c33295b7cd71e97/Fryseriet_ouside_Cameras_Geometry.jpg" /&#62;
&#60;img width="1701" height="882" width_o="1701" height_o="882" data-src="https://freight.cargo.site/t/original/i/579f454fbad67c66588ceb4c4d4840468a3b89d88aad59022f464df52ea7e601/Fryseriet_Innside_Geometry.jpg" data-mid="197597848" border="0"  src="https://freight.cargo.site/w/1000/i/579f454fbad67c66588ceb4c4d4840468a3b89d88aad59022f464df52ea7e601/Fryseriet_Innside_Geometry.jpg" /&#62;
&#60;img width="1701" height="882" width_o="1701" height_o="882" data-src="https://freight.cargo.site/t/original/i/fffdbd30341d0fc35adaf5482eabec9153d838d59d19f4666ae246d2bfe39484/Fryseriet_Innside_PointCloud.jpg" data-mid="197597849" border="0"  src="https://freight.cargo.site/w/1000/i/fffdbd30341d0fc35adaf5482eabec9153d838d59d19f4666ae246d2bfe39484/Fryseriet_Innside_PointCloud.jpg" /&#62;
&#60;img width="2928" height="1570" width_o="2928" height_o="1570" data-src="https://freight.cargo.site/t/original/i/0d7a1dc0f89d87e14efafd4d1128fc04d0b326e7b15969fba6c3ccfa5469d2fc/Screenshot-2023-11-22-at-15.57.23.png" data-mid="197599545" border="0"  src="https://freight.cargo.site/w/1000/i/0d7a1dc0f89d87e14efafd4d1128fc04d0b326e7b15969fba6c3ccfa5469d2fc/Screenshot-2023-11-22-at-15.57.23.png" /&#62;
&#60;img width="2894" height="1570" width_o="2894" height_o="1570" data-src="https://freight.cargo.site/t/original/i/f2833bea1a8dd12515897ca0b70ae949d60eaf70825691768cfccf0dea11ac2b/Screenshot-2023-11-22-at-15.57.10.png" data-mid="197599544" border="0"  src="https://freight.cargo.site/w/1000/i/f2833bea1a8dd12515897ca0b70ae949d60eaf70825691768cfccf0dea11ac2b/Screenshot-2023-11-22-at-15.57.10.png" /&#62;
&#60;img width="2932" height="1690" width_o="2932" height_o="1690" data-src="https://freight.cargo.site/t/original/i/135fc5190323525526552394727b2c17c941dc92894c10ea4fc0885d47dc93b9/Screenshot-2023-11-22-at-15.57.35.png" data-mid="197599546" border="0"  src="https://freight.cargo.site/w/1000/i/135fc5190323525526552394727b2c17c941dc92894c10ea4fc0885d47dc93b9/Screenshot-2023-11-22-at-15.57.35.png" /&#62;
&#60;img width="2922" height="1580" width_o="2922" height_o="1580" data-src="https://freight.cargo.site/t/original/i/ae3a63d17c243acda9e0672ed8e4e4cbdb4d15cfbb0ea7ee53d189c9865952f6/Screenshot-2023-11-22-at-15.56.54.png" data-mid="197599543" border="0"  src="https://freight.cargo.site/w/1000/i/ae3a63d17c243acda9e0672ed8e4e4cbdb4d15cfbb0ea7ee53d189c9865952f6/Screenshot-2023-11-22-at-15.56.54.png" /&#62;
&#60;img width="3000" height="1179" width_o="3000" height_o="1179" data-src="https://freight.cargo.site/t/original/i/f8b0df71f4e230d5763e146d771debaa95310d36a335d4dd123c7dbc2edd3228/Fryseriet_1.jpg" data-mid="197597781" border="0"  src="https://freight.cargo.site/w/1000/i/f8b0df71f4e230d5763e146d771debaa95310d36a335d4dd123c7dbc2edd3228/Fryseriet_1.jpg" /&#62;


Fryseriet / The Freezer
Fryseriet / The Freezer is a work in progress VR-model developed in collaboration with the Berlin-based media artists Katja Pratschke / Gusztáv Hámos, 3D artist Ivar Kjellmo from Kristiania University College, Oslo, sound artist Nicole Bitsch Pedersen, Copenhagen and sound artist Rune Mikkelborg, Nyksund, Norway (artist collective NODES). &#38;nbsp;The model is part of the project Nyksund Reloaded. Photogrammetry model is rendered from aproximately 18 000 photographs.
Produced by Elisabeth Brun in collaboration with Concrete Narrative Society (DE)

&#60;img width="1181" height="283" width_o="1181" height_o="283" data-src="https://freight.cargo.site/t/original/i/cd50166ec25db6d93c84659b2cb0f50433a09e5c3ef0ba9d2cbbedf10cc55b54/nordisk_kulturfond_black_rgb.jpeg" data-mid="197599687" border="0" data-scale="27" src="https://freight.cargo.site/w/1000/i/cd50166ec25db6d93c84659b2cb0f50433a09e5c3ef0ba9d2cbbedf10cc55b54/nordisk_kulturfond_black_rgb.jpeg" /&#62;&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#60;img width="1800" height="472" width_o="1800" height_o="472" data-src="https://freight.cargo.site/t/original/i/9b6d233df3e979151661f95f643c9f7236c7b7a3870e5d2fb7c6902ee688874c/EMB_Standardlogo_Berlin_ENG.png" data-mid="197599901" border="0" data-scale="28" src="https://freight.cargo.site/w/1000/i/9b6d233df3e979151661f95f643c9f7236c7b7a3870e5d2fb7c6902ee688874c/EMB_Standardlogo_Berlin_ENG.png" /&#62;&#38;nbsp;&#60;img width="3544" height="591" width_o="3544" height_o="591" data-src="https://freight.cargo.site/t/original/i/2388219f63e15c11548a8f6103ca89e660fa963322b8401125bb999349f90f28/B_SEN_KuEu_Logo_EN_H_P_1C.png" data-mid="197600113" border="0" data-scale="39" src="https://freight.cargo.site/w/1000/i/2388219f63e15c11548a8f6103ca89e660fa963322b8401125bb999349f90f28/B_SEN_KuEu_Logo_EN_H_P_1C.png" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Works</title>
				
		<link>https://elisabethbrun.com/Works-1</link>

		<pubDate>Mon, 02 Oct 2023 17:28:50 +0000</pubDate>

		<dc:creator>Elisabeth Brun</dc:creator>

		<guid isPermaLink="true">https://elisabethbrun.com/Works-1</guid>

		<description>
	
	

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/5b93875e8fe663167624567451d9fa9aeddb75c6c981246eb386694587b87ea7/IMG_0281.jpeg" data-mid="218970525" border="0" alt="NODES: House of Broken Utopias (2024), VR installation, variable dimensions. " data-caption="NODES: House of Broken Utopias (2024), VR installation, variable dimensions. " src="https://freight.cargo.site/w/1000/i/5b93875e8fe663167624567451d9fa9aeddb75c6c981246eb386694587b87ea7/IMG_0281.jpeg" /&#62;
&#60;img width="1754" height="2480" width_o="1754" height_o="2480" data-src="https://freight.cargo.site/t/original/i/8e061e44cd33477a797df6a08fe12cd3345db9bc4d525ccd04fdbf4917dfb59b/BTB-Package-2Final5.png" data-mid="245348576" border="0" alt="Big Tech Blues (2025). 20 min. 4K film-essay " data-caption="Big Tech Blues (2025). 20 min. 4K film-essay " src="https://freight.cargo.site/w/1000/i/8e061e44cd33477a797df6a08fe12cd3345db9bc4d525ccd04fdbf4917dfb59b/BTB-Package-2Final5.png" /&#62;
&#60;img width="1600" height="1204" width_o="1600" height_o="1204" data-src="https://freight.cargo.site/t/original/i/622c41546c42265577e894af11c82a5a5ac62e03ad1e209167c030942f90b9fd/Screenshot-2025-06-25-at-11.01.00.png" data-mid="245349936" border="0" alt="Utopian Signals (2025), Interactive essay" data-caption="Utopian Signals (2025), Interactive essay" src="https://freight.cargo.site/w/1000/i/622c41546c42265577e894af11c82a5a5ac62e03ad1e209167c030942f90b9fd/Screenshot-2025-06-25-at-11.01.00.png" /&#62;
&#60;img width="1440" height="1800" width_o="1440" height_o="1800" data-src="https://freight.cargo.site/t/original/i/729f478cc93aafda23d8b7014a00c671765e9b6b162aaaafae4fdf70c3e32794/opi-crack.jpg" data-mid="192629953" border="0" alt="Hur kn&#38;auml;cker kn&#38;auml;ckepilen / The Crackle  (2023), multi-channel sound installation" data-caption="Hur knäcker knäckepilen / The Crackle  (2023), multi-channel sound installation" src="https://freight.cargo.site/w/1000/i/729f478cc93aafda23d8b7014a00c671765e9b6b162aaaafae4fdf70c3e32794/opi-crack.jpg" /&#62;
&#60;img width="4096" height="4096" width_o="4096" height_o="4096" data-src="https://freight.cargo.site/t/original/i/c2c55268419e804bbaf3bb1a3a78fb0ca2ab9eecc43e1c61af556b68315dddaa/05.JPEG" data-mid="194251680" border="0" alt="Disappear. Appear (2023). Vinyl on Window, Text." data-caption="Disappear. Appear (2023). Vinyl on Window, Text." src="https://freight.cargo.site/w/1000/i/c2c55268419e804bbaf3bb1a3a78fb0ca2ab9eecc43e1c61af556b68315dddaa/05.JPEG" /&#62;
&#60;img width="3929" height="2778" width_o="3929" height_o="2778" data-src="https://freight.cargo.site/t/original/i/ae5b6374e445e8997899f2d4719a8b19c37f400cd50463696514ad486d0d988a/3XSHAPES-OF-HOME-15.jpg" data-mid="245601654" border="0" alt="3XShapes of Home (2020), Visual poem / film-essay, HD Video, 7 min" data-caption="3XShapes of Home (2020), Visual poem / film-essay, HD Video, 7 min" src="https://freight.cargo.site/w/1000/i/ae5b6374e445e8997899f2d4719a8b19c37f400cd50463696514ad486d0d988a/3XSHAPES-OF-HOME-15.jpg" /&#62;
&#60;img width="828" height="618" width_o="828" height_o="618" data-src="https://freight.cargo.site/t/original/i/2d9e2dd9d1a059457a0f881c4d93c12b0dd05068d01f7a8535d07f1a90d9a5ac/paul_004_06_12_21re_kristin-g59rmhw3.jpeg" data-mid="192507665" border="0" alt="Szikago Pakrel: &#38;quot;Future Archeology&#38;quot; (2022). Collaborative digital 3D work" data-caption="Szikago Pakrel: &#38;quot;Future Archeology&#38;quot; (2022). Collaborative digital 3D work" src="https://freight.cargo.site/w/828/i/2d9e2dd9d1a059457a0f881c4d93c12b0dd05068d01f7a8535d07f1a90d9a5ac/paul_004_06_12_21re_kristin-g59rmhw3.jpeg" /&#62;
&#60;img width="2436" height="1125" width_o="2436" height_o="1125" data-src="https://freight.cargo.site/t/original/i/4496fb3bad91a17f421f5576cda38d8e22141622d243248fbcdea540e1e4d197/242148807_10165352989335368_8990468462920723101_n.jpg" data-mid="192610968" border="0" alt="Overflate / Underflate // Surface / Sousface. Two-channel sound and video installation, HD video, 2021" data-caption="Overflate / Underflate // Surface / Sousface. Two-channel sound and video installation, HD video, 2021" src="https://freight.cargo.site/w/1000/i/4496fb3bad91a17f421f5576cda38d8e22141622d243248fbcdea540e1e4d197/242148807_10165352989335368_8990468462920723101_n.jpg" /&#62;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;</description>
		
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	<item>
		<title>4X4</title>
				
		<link>https://elisabethbrun.com/4X4</link>

		<pubDate>Wed, 21 Jun 2023 19:13:11 +0000</pubDate>

		<dc:creator>Elisabeth Brun</dc:creator>

		<guid isPermaLink="true">https://elisabethbrun.com/4X4</guid>

		<description>&#60;img width="604" height="402" width_o="604" height_o="402" data-src="https://freight.cargo.site/t/original/i/6c9adadf19528676ffc47ffc7597ff2e258f5646b7e2903cfdbd87d05379d479/IMG_1336.JPG" data-mid="182864315" border="0"  src="https://freight.cargo.site/w/604/i/6c9adadf19528676ffc47ffc7597ff2e258f5646b7e2903cfdbd87d05379d479/IMG_1336.JPG" /&#62;

The sound installation: “4X4 – THE SELF SERVICE CHANNEL. The journalist has quit – do it yourself” at&#38;nbsp;4X4 – Tromsø Kunstforening / Tromsø Centre for Contemporary Art &#38;nbsp;(2007), second edition.
In 2007, as the popularity of Facebook gained momentum, this installation explored what would happen if the audience took over the role as journalist and editor.

4X4 was a 4-day international performative exhibition series with on performing, sound and visual art produced on site. Curated by Mariane Cosserat and Hege Pålsrud. 

&#60;img width="604" height="402" width_o="604" height_o="402" data-src="https://freight.cargo.site/t/original/i/26d1c823e56fe82cb2e59877ad98b45b52fba4d5e20f048c668e9dfc905c36ae/IMG_1337.JPG" data-mid="182864316" border="0"  src="https://freight.cargo.site/w/604/i/26d1c823e56fe82cb2e59877ad98b45b52fba4d5e20f048c668e9dfc905c36ae/IMG_1337.JPG" /&#62;

&#60;img width="604" height="402" width_o="604" height_o="402" data-src="https://freight.cargo.site/t/original/i/cb16075a0fdbf12ea2f86ff128d952d43ae8a58654728b50f359dd89ed81ee29/IMG_1335.JPG" data-mid="182864314" border="0"  src="https://freight.cargo.site/w/604/i/cb16075a0fdbf12ea2f86ff128d952d43ae8a58654728b50f359dd89ed81ee29/IMG_1335.JPG" /&#62;&#60;img width="604" height="402" width_o="604" height_o="402" data-src="https://freight.cargo.site/t/original/i/7da76fc38fe9f63751dd14d2d956af3a9bb8071a5c66980b343b0eb13661820c/IMG_1338.JPG" data-mid="182864351" border="0"  src="https://freight.cargo.site/w/604/i/7da76fc38fe9f63751dd14d2d956af3a9bb8071a5c66980b343b0eb13661820c/IMG_1338.JPG" /&#62;
Above photos: Artist Alice Daquet, the 4x4 group of international artists.

Liv Ragnhild Kjellman, artist, NO
Heine Røsdal Avdal, dancer and choreographer, NO/BE
Amund Sjølie Sveen, artist and percussionist, NO
Kristin Mellem, performer and composer, NO
Elisabeth Brun, journalist, NO
Alice Daquet, composer and performer, FR
Laure Bonicel, choreographer, FR
Alda Snopek, video and visual artist, NO
Torgeir Husevaag, visual artist, NO
Nuno Olim, scenographer and video artist, PT/ NO
Nuno Rebelo, guitar player, sound explorer, improviser, composer, PT
Hege Pålsrud, curator, producer, scenographer
Mariane Cosserat, producer, curator

</description>
		
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	<item>
		<title>How Does the Crack Willow Crack</title>
				
		<link>https://elisabethbrun.com/How-Does-the-Crack-Willow-Crack</link>

		<pubDate>Mon, 05 Jun 2023 20:08:10 +0000</pubDate>

		<dc:creator>Elisabeth Brun</dc:creator>

		<guid isPermaLink="true">https://elisabethbrun.com/How-Does-the-Crack-Willow-Crack</guid>

		<description>Hur knäcker knäckepilen / The Crackle (2022)

&#60;img width="1440" height="1800" width_o="1440" height_o="1800" data-src="https://freight.cargo.site/t/original/i/530e44be8633a15654f1f304b2e4e8c8915a7030b8d0d79cdf83d1caed70fed9/opi-crack.jpg" data-mid="181913402" border="0"  src="https://freight.cargo.site/w/1000/i/530e44be8633a15654f1f304b2e4e8c8915a7030b8d0d79cdf83d1caed70fed9/opi-crack.jpg" /&#62;




Multichannel sound installation and guided walkBy Elisabeth Brun, performed in collaboration with urban developer&#38;nbsp;Anna Maria Hellner

Description:Hur knäcker knäckepilen / The Crackle invites participants into the world of trees - specifically the subtle lives of the Crack Willows of Lövholmen in Stockholm. Along the post-industrial waterfront, these crooked old trees grow where the riverbank meets the city, their root systems holding the soil together and preventing erosion. Their dry, brittle wood gives them their name: the “crack” of branches breaking off, drifting downstream, and taking root elsewhere.

As curator Jasmine Hinks&#38;nbsp;describes:
“With an artistic process that draws attention to the relations between human and environment — and inviting us to be attentive to how we move through space, pause, observe and listen - Elisabeth Brun combines tools of documentary filmmaking and field recording, using contact microphones to gather narratives of living beings beyond the human.”
The guided walk begins at Liljeholmsbron Square, lasts around 40 minutes, and ends at&#38;nbsp;Färgfabriken. It was first performed in&#38;nbsp;June 2023&#38;nbsp;and has since evolved into the&#38;nbsp; video installation The Crackle (in progress).

Above photo credit: Jonas Dahlberg and Wilhelm Christensen. 
Below: Elisabeth Brun / Anne Maria Hellner



 

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